This anime’s music soundtrack is both beautiful and intense. It is undeniably Japan under the Tokugawa Regime, the banners of the Samurai, rags worn by the slaves, and everything down to the buildings and clothes. In addition to these changes, Tsuiokuhen also has more of an emphasis on its setting through its animation.
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Another noticeable changeover is the expressions of its characters: although in the TV series these characters are serious but still have comedic tendencies, all this is removed in these OVAs, leaving a serious tone for its story. While the TV series emphasizes the effect and abilities of the techniques of these styles, Tsuiokuhen brings realistic swordplay into its story. The first and most notable change from the TV series is the depiction of the various sword styles and their employment in the scenes, as well as realistic blood splatter.
Taking a step away from the style of the Rurouni Kenshin TV series, Tsuiokuhen takes a darker and more grim approach to its presentation. Studio DEEN abolished what little comedy Watsuki went with and, along with flawless animation, a unique art style, and a beautifully composed soundtrackīy Taku Iwasaki, Rurouni Kenshin: Tsuiokuhen is an ideal example of as close to perfection as one can get.
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In the manga, Nobuhiro Watsuki describes Kenshin's past that's full of strife and hardship, but with a touch of comedy to help tone down the entire seriousness of the situation. While that is the case with Rurouni Kenshin as a whole, what Studio DEEN did with Rurouni Kenshin: Tsuiokuhen can be called nothing short of a masterpiece. There's a universally accepted truth as far as anime shounen stories go: nine times out of ten, the manga is better than the anime adaptation.
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